Any poetic qualities of the new RBC Plaza come out here, on the Boylan Bridge at twilight: the building’s ability to mirror it’s surroundings is becoming evident as the glass sheathing rises up towards the spire, reflecting the sunset in an otherwise darkening lineup of familiar downtown Raleigh buildings.
The architecture of Raleigh’s new tallest building remains altogether conservative, appropriate to its owner, RBC Centura Bank. CooperCarry out of Atlanta serves as the architect of the project. The design for the new mixed-use Headquarters Plaza takes a much-desired step forward from CooperCarry’s last Raleigh thumbprint, the Progress Energy buildings. Their design statement reads, “The architectural styles for the (Progress Energy buildings) are a blend of building facades that include interpretations of historically referenced building details as well as contemporary imagery to create a hybrid building that reflects the passing of time within an evolving urban context.” In other words, the building is rigorously postmodern, exercising some jazzed up pseudo-contextualist brand of urban eclecticism. Reflects the passing of time? Hardly.
Instead, the RBC Center designs exhibit more restraint and discipline--both crucial to well-designed objects. The project was aesthetically and conceptually simplified, and strengthened, from the original renderings (above) that we saw more than two years ago: the building stopped trying to look like all of the 70’s and 80’s structures around it, and eliminated the applied vertical concrete striping which was likely meant to accentuate the tallness of the headquarters, and to visually distinguish the office portion of the program from the residential. (The building already achieves both of these expressions formally, without the added ornament.) With this simple change, the building’s mixed-use program reads clearly from the elevation, as the base form is shaved back to create a rooftop pool and pavilion for the building’s residents, condominium balconies repetitively protrude from the glass skin.
A major design move that seems out of place with the whole composition, and competes with the rest of the simple glass form, is the advent of a crown and spire atop the penthouse. This element is vaguely reminiscent of the glass pyramid at the Louvre, designed by I.M. Pei--the difference being the level of visual and physical interactivity between that glass sculpture--which functions as a modernist jewel that contrasts the rest of the museum, a progression of additions and renovations spanning almost a millennium--and the building patron. Here, it takes a top level bank executive to experience this ‘jewel’ on a regular basis. So, any experiential reference of value is lost atop an office and condo building in downtown Raleigh, not to mention that the construction and product will obviously never reach the level of sophisticated elegance as the most visited museum in the world. This crown could have been anything. To let go of the consistent rectilinear formal asymmetry to an angled hipped shape suggests an unsuccessfully fought owner mandate or a last minute breakdown in the same self-confidence that drove the design process from a weaker schematic to a stronger final figure.
Overall, this project gets the New Raleigh thumbs up. Banks don’t draw businesses to an area, businesses draw banks. Charlotte has two major bank headquarters, and now Raleigh has one. Raleigh is primarily a government downtown (that is why capitol city economies are more stable than most cities--governments are always in business), but this addition will diversify our local economy and bring more high money jobs--and more people--downtown. Do you think we would be seeing such expensive restaurants popping up as quickly as they are now without a RBC Headquarters? Scott Custer has to eat somewhere. In broader terms, RBC Centura coming to Raleigh represents a sort of coming of age of the Research Triangle Park, and their new building will be an appropriate and welcomed addition to our downtown skyline.