Despite first hitting American airwaves with the Emmy nominated Da Ali G Show, Sasha Baron Cohen is seemingly destined to be burdened with the expectations of an audience that only recognizes him as the mastermind of the comedy smash Borat.
The summer season officially begins today with the release of The Avengers, the superhero team-up epic that has been years in the making.
This may be another instance where my expectations walking in were so low that I am overpraising the film, but THINK isn’t just a funny movie, it may have been the most fun I have had in a theater in months.
It’s Christmas time once again for area film buffs.
Jeff (Jason Segel) is a 30-year-old living in his mother’s basement, unemployed and lacking direction.
Amnesia has been used by every two bit TV show that needed an easy B-plot for sweeps season since televisions first entered our living rooms.
These are dark and troubling times, my friends. Sure, it’s been said countless times how Hollywood is bereft of ideas, turning toward sequels and reboots countless times to bring in our shekels; and yes, it’s not unheard of for a wide release film to “borrow” a scene or two from a recent blockbuster.
I don’t know if this is just a case of my cynicism flairing up, but have you noticed family films just aren’t what they used to be? Seriously, back in the Golden Age of Cinema (the 80s-90s), it seemed Hollywood was releasing classics by the handful. You had your Gremlins; E.T.; the Indiana Jones trilogy; etc.
I couldn’t help but wonder where this film would have found itself without the star wattage of Daniel Radcliffe, here to anchor the film. The latest release from CBS Films, quickly making a name for itself as the home for winter months schlock to fill theater screens.
Albert Nobbs began life as a short story, written by the great Irish author George Moore in 1918. Moore was a wonderful writer, ahead of his time in many ways, chief among them his descriptions of the lives of adulterers, prostitutes, and your everyday working class as naturalistic protagonists, instead of the Dickensian characters that most readers had grown accustomed to at the time.
Ever so often moviegoers are blessed to be presented with a film that seemingly appears from out of the blue; a movie that rattles the film industry with its sheer originality and spawns copycats for years to come.
Last week in my review for The Devil Inside, I was bemoaning the fact that January is a dumping ground for the film studios’ mistakes. While watching this week’s wide-release Contraband, the newest action flick starring Mark Wahlberg, I suddenly remembered one thing that this month is actually good for when it comes to movies; for some odd reason, it has become the unofficial release month for stupid but fun shoot-‘em-ups.
Swedish journalist Mikael Blomkvist (Daniel Craig) has just been disgraced in a libel case as the film opens, being slammed with a 700,000 euro fine that wipes out his savings. He is hired by a wealthy industrialist (Christopher Plummer) to help investigate the disappearance of his young niece 40 years earlier.
You would think Christmas had arrived one month early for everyone over the age of thirty.
Yes, someone actually ponied up the cash to make a sequel to 2003’s Johnny English.
Drive is a tale of crime and possible redemption in the dirty underbelly of Los Angeles. Starring Ryan Gosling and Breaking Bad’s Bryan Cranston.
Director Michael Rapaport follows the group on their 2008 tour. The film opens today at the Chelsea, Colony and Galaxy theaters.
It only took ten minutes for the first parent to drag their child out of the theater Tuesday night. But with a killer supporting cast and great direction, this is a unique comic book movie.